Heading On Down to the Audubon Zoo with Meschiya Lake & The Little Big Horns

Here in New Orleans music permeates pretty much everything and Audubon Zoo is no exception to that rule.

Immortalized in The Meters’ song They All Ask’d For You  – written by Art Neville, George Porter Jr., Leo Noncentelli, and Zigaboo Modeliste – Audubon Zoo is also famous for its annual philanthropic event the Whitney Zoo-To-Do, a black-tie fundraiser replete with New Orleans’ customary signature blend of great food, great cocktails, and great music.

This year is Zoo-To-Do’s 40th anniversary and as part of the celebrations will feature performances by Walter “Wolfman” Washington and the Roadmasters, Jessie’s Girls, Julio Y Cesar, and Meschiya Lake.

“I am pretty excited to be performing at the zoo,” said Lake. “I adore animals and it is for a good cause. I always enjoy that.”

From a circus performer with the Know Nothing Family Zirkus Zideshow and the End of the World Circus to her current career as one of New Orleans’ best Jazz-singer-with-an-edge, Meschiya Lake is no stranger to the ups and down of showbusiness and, according to Lake, playing at Audubon Zoo definitely falls into the up category, not least because she is excited to bring her four-month-old daughter Saiorse (which means freedom in Gaelic) on her first visit to zoo.

Over the more than ten years that Lake has called New Orleans home, Lake has performed on the streets of the French Quarter, New Orleans music clubs, and even at Celtic Connections, Scotland’s biggest folk music festival held yearly in Glasgow. She was also took home the Big Easy Music Awards “Best Female Performer” of the year for 2010, 2011, and 2012.

In January 2018, she and her band are heading back across the pond to revisit Celtic Connections, something  that, she says, she is very much looking forward to.

“I loved Scotland,” said Lake. “I found Scottish people to be funny and down to earth. And they loved to hang out. Really looking forward to going back.”

“Sometimes when I sit down and think about it, it is pretty nuts,” said Lake. “Ten years ago, I was working all kinds of other jobs with bands on the side. I drove a forklift. I did migrant farm work. I worked in a lot of kitchens. In 2007, I started street performing and now I make my living with music and that is pretty cool, but, you know? But I still like to play on the streets. It is all part of the musical experience and as long as people are having a good time, that is what is important to me. It is always seat of the pants, as we say.”

Zoo-To-Do will take place on Friday, May 4, 2017 at Audubon Zoo, 6500 Magazine St, New Orleans, 70118.

More information about Meschiya Lake and The Little Big Horns is available at http://www.meschiyalake.com/

More information about the Audubon Nature Institute is available at http://audubonnatureinstitute.org/zoo

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Shaking the Shack with the Legendary Shack Shakers

 

The Legendary Shaker Shakers plan to shake up New Orleans as they take their latest American gothic songs out on the dark roads from Kentucky to California, and back again.

Described by Rolling Stone Magazine as “akin to witnessing a gospel revival or even a snake-handling ceremony,” the Shack Shakers are a musically fearless Deep South mix of punk, rockabilly, country, bluegrass, and gospel.
Bandleader J.D. Wilkes hails from Kentucky, but it was Louisiana’s music, in its many forms, that set him on the road to fronting one of the most original Southern Gothic bands to ever slither and stride out of the bayou, and onto the world stage.

“I lived in Louisiana for six years when I was a kid,” said Wilkes. “Cajun and Zydeco music was what got me into this in the first place. As a little kid, they got into my system. It was uncontrollable, and it all goes back to Louisiana.”

As a child, Wilkes remembers being fascinated by the music of an elderly musician who would play for tourists on the steps of St. Francisville’s old plantations.

“Scott Dunbar had to have been born in the 1800s,” said Wilkes. “So he was this throwback – this real primitive old-school bluesman – kind of on display in this weird exploitative kind of way. But I was glad that I got to see that – because there was power there.”

This musical fascination with the past, and how it relates to the present, fuels Wilkes’ songwriting and permeates the band’s music. While the Legendary Shack Shakers are often described as Southern Gothic, the actual gothic aspects are found in the lyrics of the songs as well as the music, said Wilkes, born as they both are out of the harsh realities of South’s agrarian past, and the shadowy world of Americana folklore.

“The gothic aesthetic is finding beauty in the grotesque,” said Wilkes. “So, lyrically, we are Southern Gothic because I do find beauty in the harsher realities, in the grittier aspect of the South. We are a melting pot, so there is this love-hate, push-pull relationship between the races and the classes. But something fascinating comes out of that. There is beauty that comes out of those grotesque dynamics. There is great art, great music, and great cuisine – more so here than anywhere else in the country – because we are in the thick of it.”

If the Shack Shakers’ latest album, The Southern Surreal, is rooted in old and new Americana folklore, the band’s live performance channels transcendental states more commonly found in religious revivals, pagan ceremonies, and raves.

It is this state of transcendence that fascinates Wilkes, in both a musical and a philosophical sense.

“What you hear in the old musicians from east Kentucky and north Mississippi, Deep South Mississippi, and the Louisiana area – the bluesmen – was trance-inducing,” said Wilkes. “The music was primal – it wasn’t sanitized like it is today. It would transport them and lift them up out of their poverty to a place where they could just exist on a higher plane. We try to conjure that kind of mysticism.”

More information is available at The Legendary Shack Shakers